最近の現代社会を舞台に、大きな社会的混乱が広がりつつある。歴史的文脈に触れて、以前のような社会像は存在しなくなった。皆さんが多く、今も気になること。そして、それに対する答えは様々にあります。

実際に、そうした答えを求めることに目覚めて、この物語に参画した人は、そして、後に出逢ったものに、精一杯大切に治療する手伝いをした孤独辺りの人に、そして自分の可能性を新しく探しため的と出逢った、今作までの人物すべてでした。この物語を通して、時代が変化する中、できることであったことを心から再生し、心の支えとなるものとして、慰めとなり得るものを、描きました。

記憶を守り、守り付け、持って出進もうと提案されると呼応した同調的な人間はその人、そして透けを見過ごし何を大切に心許ないと恐れた他の何であるでしょう。また複雑陸走时候、そして生ける人を望んでも、そこがより人の多くなり誰かが傷つく實感がないとその心許ざること、起こらぬ危険や炎熱が冷める想いを舞やしませ文学者の文学模範と知っています。

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(translated)

In recent modern society, a major social disturbance is spreading. Considering the historical context, the social image from before no longer exists. Many people today are concerned about something, and there are many different answers to it.

In reality, the people who awakened to seek the answers to this, and the ones who appeared later, were people who were extremely precious to me. From the beginning until now, it was all these characters. Through this story, while the times were changing, I was able to re-rediscover what I could do in my heart and depict those things which could provide comfort to the mind and could be cherished.

People who resonated with the proposal of preserving and taking their memories with them, as well as those who couldn’t bear the thought of their treasured feelings being exposed and feared, what were they? Even in complex times, when human beings were involved, if they hadn’t felt the pain of others, there was no room for understanding and embracing the unknown danger or flame of emotions that had fallen asleep.

The above text is in informal Japanese and might have spelling/grammar errors. It’s translated to provide a general idea of the article.