In the bustling streets of Tokyo, where the neon lights of the city never dim, and the voices of its citizens rarely falter, a sense of pride and modesty slips quietly through fingers, like grains of sand in a desert storm. And so, the English language, often regarded as a symbol of superiority, takes on a new hue. In this context, the word “卑しい” (osanaki), which translates to “low-class” or “inferior,” takes on a new meaning – one that deconstructs the elitist façade of the English language and strips it bare.

Akira, the protagonist of our tale, is a young Japanese writer who finds solace in the pages of English literature. His hero, the erudite American author, Julian, has a way of weaving words into phrases that sparkle like precious jewels on velvet black stones. Yet, as Akira’s imagination soars on the wings of Julian’s prose, the voices of his own family and friends whisper a playful jinx: “卑しい 英語” (osanaki eigo), or “obscene English.”

For them, English doesn’t just represent intellectual superiority, but a barrier that alienates and divides. It’s an unsaid message that “” (yabai) Japanese must unfold at the feet of their “superior” counterparts. But as Akira delves deeper into the maze of words, he discovers the wisdom in Julian’s deeds and the language he cherishes. The dialect ignores societal spheres.

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