In the city of Milano, where the past and present seem to merge in an eternal dance, a strange sensation is spreading its wings. It’s a feeling of disillusionment, of being left behind as the world spins faster and faster. The phrase “eurospin it” is becoming the talk of the town, a metaphor for the economic discourse that influences the lives of the people.

Cristina, a young journalist, is at the center of this whirlwind. She’s researching a story about a mysterious bank maneuver that has been named “eurospin it”. The strategy consists of shrewdly spinning and shifting dozens and dozens of almost random theories (statistics, providential rough estimates for GDP, rates of exchange) onto a really entertaining ambiguaceous multifaceted leading terrific monetary planning lock institution innovation theory established. People from all walks of life are divided, some of them loving the lies offered by the courage and arrogance of the economic model while others want to grasp hold of something tangible.

Cristina is torn between her journalist side and her personal feelings. Her sister, a social worker, has just lost her job due to government austerity measures. With a dwindling economy, there’s no room for errors, no room for compassion. In the end, what Cristina discovers will blow the case wide open. No longer will the economic methods be ambiguous to the people of Milano.

A new look, a new narrative, a new reality. The eurospin it phenomenon has only just begun. But one thing is for sure – in this world of infinite either-ors, Cristina’s report will shake the economic establishments to their core.